Monday, January 20, 2025

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."

2025 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Maxine Brackbill, Charles Lavion, Kelsey Quinn Leary, Lili Moreno Martel, Shawn McCauley, and Hazel Wagner.

Craft Beer and Local History
Onondaga Historical Association

Harvey's Garden
1200 E. Water St., Syracuse

Join us for an evening of craft beer and local history! As part of Harvey's Garden's Charity Monday series, a portion of their beer wall sales 4:30-7:30 pm will benefit the Onondaga Historical Association. In addition to enjoying great brews, OHA Curator of History Bob Searing will be giving a fascinating lecture at 5:15 pm about the history of brewing in Onondaga County, from its early roots in 1794 to the modern craft beer renaissance. This is a must-see for anyone interested in Syracuse's brewing heritage.

Tuesday, January 21, 2025

Slices of Life
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Elisabeth Groat: photography from surreal to read
Joyce Backus: glass with mixed media
Eva Hunter: colorful watercolor earrings and abstract bracelets

This Woman's Work
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

13 local artists explore Black women's pedagogy and practice of care in CNY, featuring works by Malik Abdoulmoumine, Carlton Daniel, Charles 'Deeda' Deshields, Charles Deshields, Ebony H. Flag, Arthur Hutchinson, Courtney Mauldin-Jones, Nadiya Nacorda, Giselle Richmond, Marion Rodriguez, Rochele Royster, Evan Starling-Davis, Cheeki Williams

2025 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Maxine Brackbill, Charles Lavion, Kelsey Quinn Leary, Lili Moreno Martel, Shawn McCauley, and Hazel Wagner.

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."

Joiri Minaya: Unseeing the Tropics at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Joiri Minaya: Unseeing the Tropics at the Museum" brings together artwork by the acclaimed New York City-based Dominican artist and objects from the collection to examine how Minaya critiques Western ideas of tropicality, which are rooted in otherness and exoticism. Through these comparisons, the exhibition explores how nature, landscape, culture, and race have been historically constructed and deployed as tropes in visual culture.

The Earth Laughs in Flowers: Plants in the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing upon Ralph Waldo Emerson's famous line "the earth laughs in flowers" from his poem, "Hamatreya" (1846), this exhibition explores images of plants, as well as plant-based objects, in the collections of the Syracuse University Art Museum. This exhibition is co-curated by senior art history majors under the supervision of Professor Romita Ray (Art and Music Histories), in collaboration with Melissa Yuen, PhD and Kate Holohan, PhD. It is the outcome of the annual art history Senior Seminar taught in the College of Arts and Sciences.

Faculty Fellows Curate
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In Summer 2022, the Syracuse University Art Museum launched a Faculty Fellows program to support innovative curriculum development, experiential learning, and the fuller integration of the museum's collection into academic life at the University. The program focuses on object-based teaching and research, which is active and student-centered. This exhibition features artworks that the 2024-2025 Faculty Fellows, Lyndsay Gratch (Communication and Rhetorical Studies) and Elizabeth Wimer (Management), will teach with during the Spring 2025 semester.

Surrealism and Photography: "Where I Dream, It is Awake"
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition examines the role of Surrealism in modern photography, tracking the movement's love of chance, fragmentation, and uncanny dream imagery from its origins in Paris to Britain, Mexico, and Japan over the course of the 20th century. Curated by graduate students in the Department of Art & Music Histories under the direction of Sam Johnson (associate professor and director of graduate studies in Art History), the exhibition features photographs from collections of the SU Art Museum alongside Surrealist books and periodicals from the Special Collections Research Center of the Syracuse University Libraries.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Albert Lee
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Wednesday, January 22, 2025

Slices of Life
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Elisabeth Groat: photography from surreal to read
Joyce Backus: glass with mixed media
Eva Hunter: colorful watercolor earrings and abstract bracelets

This Woman's Work
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

13 local artists explore Black women's pedagogy and practice of care in CNY, featuring works by Malik Abdoulmoumine, Carlton Daniel, Charles 'Deeda' Deshields, Charles Deshields, Ebony H. Flag, Arthur Hutchinson, Courtney Mauldin-Jones, Nadiya Nacorda, Giselle Richmond, Marion Rodriguez, Rochele Royster, Evan Starling-Davis, Cheeki Williams

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."

2025 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Maxine Brackbill, Charles Lavion, Kelsey Quinn Leary, Lili Moreno Martel, Shawn McCauley, and Hazel Wagner.

Surrealism and Photography: "Where I Dream, It is Awake"
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition examines the role of Surrealism in modern photography, tracking the movement's love of chance, fragmentation, and uncanny dream imagery from its origins in Paris to Britain, Mexico, and Japan over the course of the 20th century. Curated by graduate students in the Department of Art & Music Histories under the direction of Sam Johnson (associate professor and director of graduate studies in Art History), the exhibition features photographs from collections of the SU Art Museum alongside Surrealist books and periodicals from the Special Collections Research Center of the Syracuse University Libraries.

Faculty Fellows Curate
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In Summer 2022, the Syracuse University Art Museum launched a Faculty Fellows program to support innovative curriculum development, experiential learning, and the fuller integration of the museum's collection into academic life at the University. The program focuses on object-based teaching and research, which is active and student-centered. This exhibition features artworks that the 2024-2025 Faculty Fellows, Lyndsay Gratch (Communication and Rhetorical Studies) and Elizabeth Wimer (Management), will teach with during the Spring 2025 semester.

The Earth Laughs in Flowers: Plants in the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing upon Ralph Waldo Emerson's famous line "the earth laughs in flowers" from his poem, "Hamatreya" (1846), this exhibition explores images of plants, as well as plant-based objects, in the collections of the Syracuse University Art Museum. This exhibition is co-curated by senior art history majors under the supervision of Professor Romita Ray (Art and Music Histories), in collaboration with Melissa Yuen, PhD and Kate Holohan, PhD. It is the outcome of the annual art history Senior Seminar taught in the College of Arts and Sciences.

Joiri Minaya: Unseeing the Tropics at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Joiri Minaya: Unseeing the Tropics at the Museum" brings together artwork by the acclaimed New York City-based Dominican artist and objects from the collection to examine how Minaya critiques Western ideas of tropicality, which are rooted in otherness and exoticism. Through these comparisons, the exhibition explores how nature, landscape, culture, and race have been historically constructed and deployed as tropes in visual culture.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

At Water's Edge: Reflections on 200 Years of the Erie Canal
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Simply Simon: Pottery from the Collection of Michael Simon and Susan Roberts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

*SOLD OUT* Albert Lee
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Preview: Primary Trust
Syracuse Stage
Melissa Crespo, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

In a small town just east of Rochester, 38-year-old Kenneth has a good job, a great boss, and Bert, the best friend a guy could ask for. But his boss is moving to Florida, the bookstore he works at is closing, and Bert? Well, he's imaginary. As he confronts the traumas that led to his isolated existence, Kenneth must tend to old wounds, forge new friendships, and let go of the things he no longer needs. Winner of the 2024 Pulitzer Prize for drama, Eboni Booth's Primary Trust is a hopeful story about modern loneliness, the heroism of everyday kindness, and the joy of finding community in the most unlikely of places.

Thursday, January 23, 2025

Slices of Life
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Elisabeth Groat: photography from surreal to read
Joyce Backus: glass with mixed media
Eva Hunter: colorful watercolor earrings and abstract bracelets

This Woman's Work
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

13 local artists explore Black women's pedagogy and practice of care in CNY, featuring works by Malik Abdoulmoumine, Carlton Daniel, Charles 'Deeda' Deshields, Charles Deshields, Ebony H. Flag, Arthur Hutchinson, Courtney Mauldin-Jones, Nadiya Nacorda, Giselle Richmond, Marion Rodriguez, Rochele Royster, Evan Starling-Davis, Cheeki Williams

2025 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Maxine Brackbill, Charles Lavion, Kelsey Quinn Leary, Lili Moreno Martel, Shawn McCauley, and Hazel Wagner.

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."

Joiri Minaya: Unseeing the Tropics at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Joiri Minaya: Unseeing the Tropics at the Museum" brings together artwork by the acclaimed New York City-based Dominican artist and objects from the collection to examine how Minaya critiques Western ideas of tropicality, which are rooted in otherness and exoticism. Through these comparisons, the exhibition explores how nature, landscape, culture, and race have been historically constructed and deployed as tropes in visual culture.

The Earth Laughs in Flowers: Plants in the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing upon Ralph Waldo Emerson's famous line "the earth laughs in flowers" from his poem, "Hamatreya" (1846), this exhibition explores images of plants, as well as plant-based objects, in the collections of the Syracuse University Art Museum. This exhibition is co-curated by senior art history majors under the supervision of Professor Romita Ray (Art and Music Histories), in collaboration with Melissa Yuen, PhD and Kate Holohan, PhD. It is the outcome of the annual art history Senior Seminar taught in the College of Arts and Sciences.

Faculty Fellows Curate
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In Summer 2022, the Syracuse University Art Museum launched a Faculty Fellows program to support innovative curriculum development, experiential learning, and the fuller integration of the museum's collection into academic life at the University. The program focuses on object-based teaching and research, which is active and student-centered. This exhibition features artworks that the 2024-2025 Faculty Fellows, Lyndsay Gratch (Communication and Rhetorical Studies) and Elizabeth Wimer (Management), will teach with during the Spring 2025 semester.

Surrealism and Photography: "Where I Dream, It is Awake"
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition examines the role of Surrealism in modern photography, tracking the movement's love of chance, fragmentation, and uncanny dream imagery from its origins in Paris to Britain, Mexico, and Japan over the course of the 20th century. Curated by graduate students in the Department of Art & Music Histories under the direction of Sam Johnson (associate professor and director of graduate studies in Art History), the exhibition features photographs from collections of the SU Art Museum alongside Surrealist books and periodicals from the Special Collections Research Center of the Syracuse University Libraries.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

Simply Simon: Pottery from the Collection of Michael Simon and Susan Roberts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

At Water's Edge: Reflections on 200 Years of the Erie Canal
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

*SOLD OUT* Albert Lee
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Low Noon
Acme Mystery Company

Spaghetti Warehouse
689 N. Clinton St., Syracuse

Welcome to Hadleyville, the most lawless place in the whole Territory of New Mexico. What makes this place so bad? Why, that would be you, pardner, and all the other low-down snakes that live here. Problem is that Statehood is coming and the Federales are looking to pull this place right out from under you. The undertaker, Ewell Dye, has called a town meeting at the Ramirez Saloon to figure out what to do. Watch your back, buckaroo. Folks are about to get even nastier.

Preview: Primary Trust
Syracuse Stage
Melissa Crespo, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

In a small town just east of Rochester, 38-year-old Kenneth has a good job, a great boss, and Bert, the best friend a guy could ask for. But his boss is moving to Florida, the bookstore he works at is closing, and Bert? Well, he's imaginary. As he confronts the traumas that led to his isolated existence, Kenneth must tend to old wounds, forge new friendships, and let go of the things he no longer needs. Winner of the 2024 Pulitzer Prize for drama, Eboni Booth's Primary Trust is a hopeful story about modern loneliness, the heroism of everyday kindness, and the joy of finding community in the most unlikely of places.

Friday, January 24, 2025

Slices of Life
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Elisabeth Groat: photography from surreal to read
Joyce Backus: glass with mixed media
Eva Hunter: colorful watercolor earrings and abstract bracelets

This Woman's Work
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

13 local artists explore Black women's pedagogy and practice of care in CNY, featuring works by Malik Abdoulmoumine, Carlton Daniel, Charles 'Deeda' Deshields, Charles Deshields, Ebony H. Flag, Arthur Hutchinson, Courtney Mauldin-Jones, Nadiya Nacorda, Giselle Richmond, Marion Rodriguez, Rochele Royster, Evan Starling-Davis, Cheeki Williams

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."

2025 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Maxine Brackbill, Charles Lavion, Kelsey Quinn Leary, Lili Moreno Martel, Shawn McCauley, and Hazel Wagner.

Surrealism and Photography: "Where I Dream, It is Awake"
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition examines the role of Surrealism in modern photography, tracking the movement's love of chance, fragmentation, and uncanny dream imagery from its origins in Paris to Britain, Mexico, and Japan over the course of the 20th century. Curated by graduate students in the Department of Art & Music Histories under the direction of Sam Johnson (associate professor and director of graduate studies in Art History), the exhibition features photographs from collections of the SU Art Museum alongside Surrealist books and periodicals from the Special Collections Research Center of the Syracuse University Libraries.

Faculty Fellows Curate
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In Summer 2022, the Syracuse University Art Museum launched a Faculty Fellows program to support innovative curriculum development, experiential learning, and the fuller integration of the museum's collection into academic life at the University. The program focuses on object-based teaching and research, which is active and student-centered. This exhibition features artworks that the 2024-2025 Faculty Fellows, Lyndsay Gratch (Communication and Rhetorical Studies) and Elizabeth Wimer (Management), will teach with during the Spring 2025 semester.

The Earth Laughs in Flowers: Plants in the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing upon Ralph Waldo Emerson's famous line "the earth laughs in flowers" from his poem, "Hamatreya" (1846), this exhibition explores images of plants, as well as plant-based objects, in the collections of the Syracuse University Art Museum. This exhibition is co-curated by senior art history majors under the supervision of Professor Romita Ray (Art and Music Histories), in collaboration with Melissa Yuen, PhD and Kate Holohan, PhD. It is the outcome of the annual art history Senior Seminar taught in the College of Arts and Sciences.

Joiri Minaya: Unseeing the Tropics at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Joiri Minaya: Unseeing the Tropics at the Museum" brings together artwork by the acclaimed New York City-based Dominican artist and objects from the collection to examine how Minaya critiques Western ideas of tropicality, which are rooted in otherness and exoticism. Through these comparisons, the exhibition explores how nature, landscape, culture, and race have been historically constructed and deployed as tropes in visual culture.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

Simply Simon: Pottery from the Collection of Michael Simon and Susan Roberts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

At Water's Edge: Reflections on 200 Years of the Erie Canal
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

*SOLD OUT* Mike Powell
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Barrigar/Cadley/Colton: All Folked Up
Folkus Project

Price: $25 regular, $22 Folkus members
May Memorial Unitarian Society
3800 E. Genesee St., Syracuse

Deeply rooted in the rich sounds of American folk and country music, Loren Barrigar, John Cadley, and Donna Colton have captivated audiences across the region for many years. Each performer, with their respective partners, will present their unique version of this authentic sound as they come together for this very special evening of music. These folks are Syracuse Area Music Award Artists and Hall of Fame Inductees and are honored to share their original and some familiar tunes with the audience and each other. Join us for a night of song swapping, humor, and artistry—All Folked Up!

Opening: Primary Trust
Syracuse Stage
Melissa Crespo, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

In a small town just east of Rochester, 38-year-old Kenneth has a good job, a great boss, and Bert, the best friend a guy could ask for. But his boss is moving to Florida, the bookstore he works at is closing, and Bert? Well, he's imaginary. As he confronts the traumas that led to his isolated existence, Kenneth must tend to old wounds, forge new friendships, and let go of the things he no longer needs. Winner of the 2024 Pulitzer Prize for drama, Eboni Booth's Primary Trust is a hopeful story about modern loneliness, the heroism of everyday kindness, and the joy of finding community in the most unlikely of places.

*CANCELLED* Margaritas in Paradise: A Tribute to Jimmy Buffet
The Oncenter

Carrier Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Saturday, January 25, 2025

This Woman's Work
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

13 local artists explore Black women's pedagogy and practice of care in CNY, featuring works by Malik Abdoulmoumine, Carlton Daniel, Charles 'Deeda' Deshields, Charles Deshields, Ebony H. Flag, Arthur Hutchinson, Courtney Mauldin-Jones, Nadiya Nacorda, Giselle Richmond, Marion Rodriguez, Rochele Royster, Evan Starling-Davis, Cheeki Williams

Slices of Life
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Elisabeth Groat: photography from surreal to read
Joyce Backus: glass with mixed media
Eva Hunter: colorful watercolor earrings and abstract bracelets

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

CNY Artist Initiative: Courtney Rile: Moments in Between
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

At Water's Edge: Reflections on 200 Years of the Erie Canal
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Simply Simon: Pottery from the Collection of Michael Simon and Susan Roberts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

2025 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Maxine Brackbill, Charles Lavion, Kelsey Quinn Leary, Lili Moreno Martel, Shawn McCauley, and Hazel Wagner.

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."

Joiri Minaya: Unseeing the Tropics at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Joiri Minaya: Unseeing the Tropics at the Museum" brings together artwork by the acclaimed New York City-based Dominican artist and objects from the collection to examine how Minaya critiques Western ideas of tropicality, which are rooted in otherness and exoticism. Through these comparisons, the exhibition explores how nature, landscape, culture, and race have been historically constructed and deployed as tropes in visual culture.

The Earth Laughs in Flowers: Plants in the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing upon Ralph Waldo Emerson's famous line "the earth laughs in flowers" from his poem, "Hamatreya" (1846), this exhibition explores images of plants, as well as plant-based objects, in the collections of the Syracuse University Art Museum. This exhibition is co-curated by senior art history majors under the supervision of Professor Romita Ray (Art and Music Histories), in collaboration with Melissa Yuen, PhD and Kate Holohan, PhD. It is the outcome of the annual art history Senior Seminar taught in the College of Arts and Sciences.

Faculty Fellows Curate
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In Summer 2022, the Syracuse University Art Museum launched a Faculty Fellows program to support innovative curriculum development, experiential learning, and the fuller integration of the museum's collection into academic life at the University. The program focuses on object-based teaching and research, which is active and student-centered. This exhibition features artworks that the 2024-2025 Faculty Fellows, Lyndsay Gratch (Communication and Rhetorical Studies) and Elizabeth Wimer (Management), will teach with during the Spring 2025 semester.

Surrealism and Photography: "Where I Dream, It is Awake"
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition examines the role of Surrealism in modern photography, tracking the movement's love of chance, fragmentation, and uncanny dream imagery from its origins in Paris to Britain, Mexico, and Japan over the course of the 20th century. Curated by graduate students in the Department of Art & Music Histories under the direction of Sam Johnson (associate professor and director of graduate studies in Art History), the exhibition features photographs from collections of the SU Art Museum alongside Surrealist books and periodicals from the Special Collections Research Center of the Syracuse University Libraries.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Ronny Chieng: The Love To Hate It Tour
Landmark Theatre

Landmark Theatre
362 S. Salina St., Syracuse

Ronny Chieng is a stand up comedian, actor, and Correspondent on "The Daily Show." In addition to two Netflix stand-up comedy specials, Ronny has starred in "Crazy Rich Asians," Marvel's "Shang-Chi and the Legend of the Ten Rings," "M3GAN," "American Born Chinese," "Doogie Kamealoha, M.D.," "Vacation Friends 2," "Joy Ride," and will star in the upcoming Hulu series "Interior Chinatown."

January Jazzfest
CNY Jazz Arts Foundation

Price: $30 regular, $25 in advance
Mohegan Manor
58 Oswego St., Baldwinsville

Club Room (Lower Level)
1:00 pm: Dan Pugh + Dan Fields
2:00 pm: Dan Pugh + Mike Serafim
3:00 pm: Dan Pugh + Joey Arcuri

Lounge/Bar (First Level)
2:00-4:00 pm: The Jimmy Johns Trio

Green Room (Second Level)
2:15-4:15 pm: Edgar Pagan's GPL with Adam Fisher
6:00-8:00 pm: Pat Duca's CNY Jazz Alumni Jazz Jam

Ballroom (Third Level)
4:30-6:00 pm: Organ Fairchild

*SOLD OUT* Mike Powell
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Isreal Hagan
Steeple Coffee House

Price: $15-$20 suggested donation covers entertainment, dessert, coffee/tea
United Church of Fayetteville
310 E. Genesee St., Fayetteville

Born and raised in Syracuse, Isreal Hagan's musical influences were his parents, Sylvester & Bertha Hagan, who immersed him in music from birth. Isreal's singing career started in third grade. As a self-taught musician, he picked up his first guitar at age 9, followed soon after by the bass. At age 14, Isreal started his songwriting career.

This 9-time SAMMY Award Winner and Hall of Famer was featured as the Syracuse New Times cover story in February 1995 and the Post Standard's Weekend Cover Story in March 1999. The articles depicted him as the outspoken defender of local music and R n B, a man who charts out his own path to success. Isreal had the honor of being flown out to California to perform with the legendary Carlos Santana.

Masterworks Series: Beethoven's Fifth
Syracuse Orchestra (formerly Symphoria)
Lawrence Loh, conductor
Featuring Eduardo Sepúlveda, oboe

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Polina Nazaykinskaya New Work TBA
Carlos Simon Fate Now Conquers
R. Strauss Oboe Concerto in D Major, TRV 292 (AV 144)
Beethoven Symphony No. 5 in C Minor, Op. 67

Primary Trust
Syracuse Stage
Melissa Crespo, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

In a small town just east of Rochester, 38-year-old Kenneth has a good job, a great boss, and Bert, the best friend a guy could ask for. But his boss is moving to Florida, the bookstore he works at is closing, and Bert? Well, he's imaginary. As he confronts the traumas that led to his isolated existence, Kenneth must tend to old wounds, forge new friendships, and let go of the things he no longer needs. Winner of the 2024 Pulitzer Prize for drama, Eboni Booth's Primary Trust is a hopeful story about modern loneliness, the heroism of everyday kindness, and the joy of finding community in the most unlikely of places.

Primary Trust
Syracuse Stage
Melissa Crespo, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

In a small town just east of Rochester, 38-year-old Kenneth has a good job, a great boss, and Bert, the best friend a guy could ask for. But his boss is moving to Florida, the bookstore he works at is closing, and Bert? Well, he's imaginary. As he confronts the traumas that led to his isolated existence, Kenneth must tend to old wounds, forge new friendships, and let go of the things he no longer needs. Winner of the 2024 Pulitzer Prize for drama, Eboni Booth's Primary Trust is a hopeful story about modern loneliness, the heroism of everyday kindness, and the joy of finding community in the most unlikely of places.

Sunday, January 26, 2025

Simply Simon: Pottery from the Collection of Michael Simon and Susan Roberts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

CNY Artist Initiative: Courtney Rile: Moments in Between
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

At Water's Edge: Reflections on 200 Years of the Erie Canal
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."

2025 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Maxine Brackbill, Charles Lavion, Kelsey Quinn Leary, Lili Moreno Martel, Shawn McCauley, and Hazel Wagner.

Surrealism and Photography: "Where I Dream, It is Awake"
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition examines the role of Surrealism in modern photography, tracking the movement's love of chance, fragmentation, and uncanny dream imagery from its origins in Paris to Britain, Mexico, and Japan over the course of the 20th century. Curated by graduate students in the Department of Art & Music Histories under the direction of Sam Johnson (associate professor and director of graduate studies in Art History), the exhibition features photographs from collections of the SU Art Museum alongside Surrealist books and periodicals from the Special Collections Research Center of the Syracuse University Libraries.

Faculty Fellows Curate
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In Summer 2022, the Syracuse University Art Museum launched a Faculty Fellows program to support innovative curriculum development, experiential learning, and the fuller integration of the museum's collection into academic life at the University. The program focuses on object-based teaching and research, which is active and student-centered. This exhibition features artworks that the 2024-2025 Faculty Fellows, Lyndsay Gratch (Communication and Rhetorical Studies) and Elizabeth Wimer (Management), will teach with during the Spring 2025 semester.

The Earth Laughs in Flowers: Plants in the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing upon Ralph Waldo Emerson's famous line "the earth laughs in flowers" from his poem, "Hamatreya" (1846), this exhibition explores images of plants, as well as plant-based objects, in the collections of the Syracuse University Art Museum. This exhibition is co-curated by senior art history majors under the supervision of Professor Romita Ray (Art and Music Histories), in collaboration with Melissa Yuen, PhD and Kate Holohan, PhD. It is the outcome of the annual art history Senior Seminar taught in the College of Arts and Sciences.

Joiri Minaya: Unseeing the Tropics at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Joiri Minaya: Unseeing the Tropics at the Museum" brings together artwork by the acclaimed New York City-based Dominican artist and objects from the collection to examine how Minaya critiques Western ideas of tropicality, which are rooted in otherness and exoticism. Through these comparisons, the exhibition explores how nature, landscape, culture, and race have been historically constructed and deployed as tropes in visual culture.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Primary Trust
Syracuse Stage
Melissa Crespo, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

In a small town just east of Rochester, 38-year-old Kenneth has a good job, a great boss, and Bert, the best friend a guy could ask for. But his boss is moving to Florida, the bookstore he works at is closing, and Bert? Well, he's imaginary. As he confronts the traumas that led to his isolated existence, Kenneth must tend to old wounds, forge new friendships, and let go of the things he no longer needs. Winner of the 2024 Pulitzer Prize for drama, Eboni Booth's Primary Trust is a hopeful story about modern loneliness, the heroism of everyday kindness, and the joy of finding community in the most unlikely of places.

Harvey
Syracuse Stage
Melissa Crespo, director

Price: Free, but pre-registration required
Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Mary Chase's 1944 comedy, which tells the story of a good-natured man whose best friend is an invisible six-foot-tall rabbit, served a major inspiration for playwright Eboni Booth's Primary Trust. It won the Pulitzer Prize for Drama in 1945 and was adapted into an Oscar-winning film in 1950, starring Jimmy Stewart as Elwood P. Dowd.

About the play:
Elwood P. Dowd insists on including his friend Harvey in all of his sister Veta's social gatherings. Trouble is, Harvey is an imaginary six-and-a-half-foot-tall rabbit. To avoid future embarrassment for her family — and especially for her daughter, Myrtle Mae — Veta decides to have Elwood committed to a sanitarium. At the sanitarium, a frantic Veta explains to the staff that her years of living with Elwood's hallucination have caused her to see Harvey also, and so the doctors mistakenly commit her instead of her mild-mannered brother. The truth comes out, however; Veta is freed, and the search is on for Elwood, who eventually arrives at the sanitarium of his own volition, looking for Harvey. But it seems that Elwood and his invisible companion have had a strange influence on more than one of the doctors. Only at the end does Veta realize that maybe Harvey isn't so bad after all.

Monday, January 27, 2025

This Woman's Work
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

13 local artists explore Black women's pedagogy and practice of care in CNY, featuring works by Malik Abdoulmoumine, Carlton Daniel, Charles 'Deeda' Deshields, Charles Deshields, Ebony H. Flag, Arthur Hutchinson, Courtney Mauldin-Jones, Nadiya Nacorda, Giselle Richmond, Marion Rodriguez, Rochele Royster, Evan Starling-Davis, Cheeki Williams

2025 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Maxine Brackbill, Charles Lavion, Kelsey Quinn Leary, Lili Moreno Martel, Shawn McCauley, and Hazel Wagner.

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."