Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.