Friday, February 7, 2025

Slices of Life
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Elisabeth Groat: photography from surreal to read
Joyce Backus: glass with mixed media
Eva Hunter: colorful watercolor earrings and abstract bracelets

   

This Woman's Work
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

13 local artists explore Black women's pedagogy and practice of care in CNY, featuring works by Malik Abdoulmoumine, Carlton Daniel, Charles 'Deeda' Deshields, Charles Deshields, Ebony H. Flag, Arthur Hutchinson, Courtney Mauldin-Jones, Nadiya Nacorda, Giselle Richmond, Marion Rodriguez, Rochele Royster, Evan Starling-Davis, Cheeki Williams

   

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."

   

2025 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Maxine Brackbill, Charles Lavion, Kelsey Quinn Leary, Lili Moreno Martel, Shawn McCauley, and Hazel Wagner.

   

Joiri Minaya: Unseeing the Tropics at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Joiri Minaya: Unseeing the Tropics at the Museum" brings together artwork by the acclaimed New York City-based Dominican artist and objects from the collection to examine how Minaya critiques Western ideas of tropicality, which are rooted in otherness and exoticism. Through these comparisons, the exhibition explores how nature, landscape, culture, and race have been historically constructed and deployed as tropes in visual culture.

   

The Earth Laughs in Flowers: Plants in the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing upon Ralph Waldo Emerson's famous line "the earth laughs in flowers" from his poem, "Hamatreya" (1846), this exhibition explores images of plants, as well as plant-based objects, in the collections of the Syracuse University Art Museum. This exhibition is co-curated by senior art history majors under the supervision of Professor Romita Ray (Art and Music Histories), in collaboration with Melissa Yuen, PhD and Kate Holohan, PhD. It is the outcome of the annual art history Senior Seminar taught in the College of Arts and Sciences.

   

Faculty Fellows Curate
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In Summer 2022, the Syracuse University Art Museum launched a Faculty Fellows program to support innovative curriculum development, experiential learning, and the fuller integration of the museum's collection into academic life at the University. The program focuses on object-based teaching and research, which is active and student-centered. This exhibition features artworks that the 2024-2025 Faculty Fellows, Lyndsay Gratch (Communication and Rhetorical Studies) and Elizabeth Wimer (Management), will teach with during the Spring 2025 semester.

   

Surrealism and Photography: "Where I Dream, It is Awake"
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition examines the role of Surrealism in modern photography, tracking the movement's love of chance, fragmentation, and uncanny dream imagery from its origins in Paris to Britain, Mexico, and Japan over the course of the 20th century. Curated by graduate students in the Department of Art & Music Histories under the direction of Sam Johnson (associate professor and director of graduate studies in Art History), the exhibition features photographs from collections of the SU Art Museum alongside Surrealist books and periodicals from the Special Collections Research Center of the Syracuse University Libraries.

   

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

   

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

   

CNY Artist Initiative: Courtney Rile: Moments in Between
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

   

At Water's Edge: Reflections on 200 Years of the Erie Canal
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

   

Simply Simon: Pottery from the Collection of Michael Simon and Susan Roberts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

   

Young Artist Ensemble: In Nomine Ensemble
NYS Baroque

First Unitarian Universalist Society of Syracuse
109 Waring Rd. (at the corner of Nottingham Rd.), Dewitt

   

Tony International Live Jazz Under Spoken Word
Community Folk Art Center

Price: $20
Community Folk Art Center
805 E. Genesee St., Syracuse

Get ready to groove to the sounds of Tony International Live Jazz! Join us for a night of musical performances and spoken word with house band SMX Shawn Seals.

To purchase tickets, contact 315-876-2284.

   

Seth Glier
Folkus Project

Price: $20 regular, $17 Folkus members
May Memorial Unitarian Society
3800 E. Genesee St., Syracuse

The earth speaks to us in a myriad of ways—through ice cores, through uplift and erosion, through tree rings—languages that have the potential to restore our literacy. Reconnecting with these quiet messages has set Seth Glier, an avid mushroom forager and a Grammy-nominated artist from Western Massachusetts, on a path of channeling nature's longing for communion with humanity into song. His new album Everything is a collection of eight songs inviting us to imagine a future in which humans and the planet are realigned into mutual restoration. Each song presents a practical climate solution with concrete optimism. Seth's gifts are an innate curiosity and a fierce desire to connect with other people; his musical acumen provides him with a vehicle for both.

Tickets

   

Rent
Baldwinsville Theatre Guild

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Inspired by Puccini's classic opera La Bohème, Rent whisks you away on a wild ride through a year in the lives of a quirky crew of artistic pals navigating the chaotic charm of Manhattan's East Village. Say hello to Mark, the filmmaker on a soul-searching mission; his roommate Roger, an HIV-positive rockstar racing against time to leave his mark; and let's not overlook the star-crossed lovers Mimi and Angel, desperately seeking true love while juggling life's curveballs. Meanwhile, the pragmatic Joanne is determined to reel in her free-spirited girlfriend Maureen for some serious commitment. Together, these dreamers and doers create a vibrant, emotional tapestry of the bohemian scene in late '80s New York, all while facing the shadow of HIV/AIDS.

Tickets

   

Primary Trust
Syracuse Stage
Melissa Crespo, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

In a small town just east of Rochester, 38-year-old Kenneth has a good job, a great boss, and Bert, the best friend a guy could ask for. But his boss is moving to Florida, the bookstore he works at is closing, and Bert? Well, he's imaginary. As he confronts the traumas that led to his isolated existence, Kenneth must tend to old wounds, forge new friendships, and let go of the things he no longer needs. Winner of the 2024 Pulitzer Prize for drama, Eboni Booth's Primary Trust is a hopeful story about modern loneliness, the heroism of everyday kindness, and the joy of finding community in the most unlikely of places.

Tickets

   

Saturday, February 8, 2025

This Woman's Work
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

13 local artists explore Black women's pedagogy and practice of care in CNY, featuring works by Malik Abdoulmoumine, Carlton Daniel, Charles 'Deeda' Deshields, Charles Deshields, Ebony H. Flag, Arthur Hutchinson, Courtney Mauldin-Jones, Nadiya Nacorda, Giselle Richmond, Marion Rodriguez, Rochele Royster, Evan Starling-Davis, Cheeki Williams

   

Slices of Life
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Elisabeth Groat: photography from surreal to read
Joyce Backus: glass with mixed media
Eva Hunter: colorful watercolor earrings and abstract bracelets

   

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

   

CNY Artist Initiative: Courtney Rile: Moments in Between
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

   

Simply Simon: Pottery from the Collection of Michael Simon and Susan Roberts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

   

At Water's Edge: Reflections on 200 Years of the Erie Canal
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

   

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."

   

2025 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Maxine Brackbill, Charles Lavion, Kelsey Quinn Leary, Lili Moreno Martel, Shawn McCauley, and Hazel Wagner.

   

The Earth Laughs in Flowers: Plants in the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing upon Ralph Waldo Emerson's famous line "the earth laughs in flowers" from his poem, "Hamatreya" (1846), this exhibition explores images of plants, as well as plant-based objects, in the collections of the Syracuse University Art Museum. This exhibition is co-curated by senior art history majors under the supervision of Professor Romita Ray (Art and Music Histories), in collaboration with Melissa Yuen, PhD and Kate Holohan, PhD. It is the outcome of the annual art history Senior Seminar taught in the College of Arts and Sciences.

   

Joiri Minaya: Unseeing the Tropics at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Joiri Minaya: Unseeing the Tropics at the Museum" brings together artwork by the acclaimed New York City-based Dominican artist and objects from the collection to examine how Minaya critiques Western ideas of tropicality, which are rooted in otherness and exoticism. Through these comparisons, the exhibition explores how nature, landscape, culture, and race have been historically constructed and deployed as tropes in visual culture.

   

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

   

Surrealism and Photography: "Where I Dream, It is Awake"
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition examines the role of Surrealism in modern photography, tracking the movement's love of chance, fragmentation, and uncanny dream imagery from its origins in Paris to Britain, Mexico, and Japan over the course of the 20th century. Curated by graduate students in the Department of Art & Music Histories under the direction of Sam Johnson (associate professor and director of graduate studies in Art History), the exhibition features photographs from collections of the SU Art Museum alongside Surrealist books and periodicals from the Special Collections Research Center of the Syracuse University Libraries.

   

Faculty Fellows Curate
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In Summer 2022, the Syracuse University Art Museum launched a Faculty Fellows program to support innovative curriculum development, experiential learning, and the fuller integration of the museum's collection into academic life at the University. The program focuses on object-based teaching and research, which is active and student-centered. This exhibition features artworks that the 2024-2025 Faculty Fellows, Lyndsay Gratch (Communication and Rhetorical Studies) and Elizabeth Wimer (Management), will teach with during the Spring 2025 semester.

   

Opening: A Place to Call Home: Photographs by Michelle Gabel & Mike Greenlar
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

"A Place to Call Home" is a collaboration between Central Current, a nonprofit newsroom covering Syracuse and Central New York, and photographers Michelle Gabel and Mike Greenlar. The exhibition captures a cross section of Syracuse's housing crisis: those struggling with housing insecurity or grappling with unsafe housing conditions. It also shares stories of hope as it highlights "A Tiny Home for Good," a small organization with a mission to end homelessness in Syracuse.

   

Awakening Sleepers, Grazing Sheep
Civic Morning Musicals
Bonnie Choi and Kevin Nitsch, piano four-hands

Price: $10
St. David's Episcopal Church
13 Jamar Dr., Dewitt

Bach Three pieces/em>
Mendelssohn Andante and Allegro Brillante, Op. 92/em>
Chaminade Three pieces from Op. 35 & 36/em>
Debussy Petite Suite/em>
Bach Sheep May Safely Graze/em>
Bach Jesu, Joy of Man's Desiring

Tickets

   

Jimmy Rogers & Over the Top
Steeple Coffee House

Price: $15-$20 suggested donation covers entertainment, dessert, coffee/tea
United Church of Fayetteville
310 E. Genesee St., Fayetteville

Jimmy Rogers and Over the Top playing all that music you grew up loving from the '70s, '80s, and today!

   

Primary Trust
Syracuse Stage
Melissa Crespo, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

In a small town just east of Rochester, 38-year-old Kenneth has a good job, a great boss, and Bert, the best friend a guy could ask for. But his boss is moving to Florida, the bookstore he works at is closing, and Bert? Well, he's imaginary. As he confronts the traumas that led to his isolated existence, Kenneth must tend to old wounds, forge new friendships, and let go of the things he no longer needs. Winner of the 2024 Pulitzer Prize for drama, Eboni Booth's Primary Trust is a hopeful story about modern loneliness, the heroism of everyday kindness, and the joy of finding community in the most unlikely of places.

Tickets

   

Rent
Baldwinsville Theatre Guild

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Inspired by Puccini's classic opera La Bohème, Rent whisks you away on a wild ride through a year in the lives of a quirky crew of artistic pals navigating the chaotic charm of Manhattan's East Village. Say hello to Mark, the filmmaker on a soul-searching mission; his roommate Roger, an HIV-positive rockstar racing against time to leave his mark; and let's not overlook the star-crossed lovers Mimi and Angel, desperately seeking true love while juggling life's curveballs. Meanwhile, the pragmatic Joanne is determined to reel in her free-spirited girlfriend Maureen for some serious commitment. Together, these dreamers and doers create a vibrant, emotional tapestry of the bohemian scene in late '80s New York, all while facing the shadow of HIV/AIDS.

Tickets

   

Primary Trust
Syracuse Stage
Melissa Crespo, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

In a small town just east of Rochester, 38-year-old Kenneth has a good job, a great boss, and Bert, the best friend a guy could ask for. But his boss is moving to Florida, the bookstore he works at is closing, and Bert? Well, he's imaginary. As he confronts the traumas that led to his isolated existence, Kenneth must tend to old wounds, forge new friendships, and let go of the things he no longer needs. Winner of the 2024 Pulitzer Prize for drama, Eboni Booth's Primary Trust is a hopeful story about modern loneliness, the heroism of everyday kindness, and the joy of finding community in the most unlikely of places.

Tickets

   

Sunday, February 9, 2025

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

   

CNY Artist Initiative: Courtney Rile: Moments in Between
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

   

At Water's Edge: Reflections on 200 Years of the Erie Canal
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

   

Simply Simon: Pottery from the Collection of Michael Simon and Susan Roberts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

   

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."

   

2025 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Maxine Brackbill, Charles Lavion, Kelsey Quinn Leary, Lili Moreno Martel, Shawn McCauley, and Hazel Wagner.

   

Joiri Minaya: Unseeing the Tropics at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Joiri Minaya: Unseeing the Tropics at the Museum" brings together artwork by the acclaimed New York City-based Dominican artist and objects from the collection to examine how Minaya critiques Western ideas of tropicality, which are rooted in otherness and exoticism. Through these comparisons, the exhibition explores how nature, landscape, culture, and race have been historically constructed and deployed as tropes in visual culture.

   

The Earth Laughs in Flowers: Plants in the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing upon Ralph Waldo Emerson's famous line "the earth laughs in flowers" from his poem, "Hamatreya" (1846), this exhibition explores images of plants, as well as plant-based objects, in the collections of the Syracuse University Art Museum. This exhibition is co-curated by senior art history majors under the supervision of Professor Romita Ray (Art and Music Histories), in collaboration with Melissa Yuen, PhD and Kate Holohan, PhD. It is the outcome of the annual art history Senior Seminar taught in the College of Arts and Sciences.

   

Faculty Fellows Curate
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In Summer 2022, the Syracuse University Art Museum launched a Faculty Fellows program to support innovative curriculum development, experiential learning, and the fuller integration of the museum's collection into academic life at the University. The program focuses on object-based teaching and research, which is active and student-centered. This exhibition features artworks that the 2024-2025 Faculty Fellows, Lyndsay Gratch (Communication and Rhetorical Studies) and Elizabeth Wimer (Management), will teach with during the Spring 2025 semester.

   

Surrealism and Photography: "Where I Dream, It is Awake"
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition examines the role of Surrealism in modern photography, tracking the movement's love of chance, fragmentation, and uncanny dream imagery from its origins in Paris to Britain, Mexico, and Japan over the course of the 20th century. Curated by graduate students in the Department of Art & Music Histories under the direction of Sam Johnson (associate professor and director of graduate studies in Art History), the exhibition features photographs from collections of the SU Art Museum alongside Surrealist books and periodicals from the Special Collections Research Center of the Syracuse University Libraries.

   

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

   

*SOLD OUT* Shakedown Sunday
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Shakedown Sunday is a monthly series hosted by Jeffrey Pepper Rodgers and members of Dead to the Core, with special guests, that celebrates the Grateful Dead—not just the band's originals but songs from across the roots and rock worlds they made their own.

For the February Shakedown, Maureen Henesey returns as a special guest. One of Central New York's top vocalists, she has performed with the popular party band the Mere Mortals, the Sammy-winning bluegrass/folk band the Easy Ramblers, and CNY Songbirds.

Join the waitlist.

   

Rent
Baldwinsville Theatre Guild

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Inspired by Puccini's classic opera La Bohème, Rent whisks you away on a wild ride through a year in the lives of a quirky crew of artistic pals navigating the chaotic charm of Manhattan's East Village. Say hello to Mark, the filmmaker on a soul-searching mission; his roommate Roger, an HIV-positive rockstar racing against time to leave his mark; and let's not overlook the star-crossed lovers Mimi and Angel, desperately seeking true love while juggling life's curveballs. Meanwhile, the pragmatic Joanne is determined to reel in her free-spirited girlfriend Maureen for some serious commitment. Together, these dreamers and doers create a vibrant, emotional tapestry of the bohemian scene in late '80s New York, all while facing the shadow of HIV/AIDS.

Tickets

   

Primary Trust
Syracuse Stage
Melissa Crespo, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

In a small town just east of Rochester, 38-year-old Kenneth has a good job, a great boss, and Bert, the best friend a guy could ask for. But his boss is moving to Florida, the bookstore he works at is closing, and Bert? Well, he's imaginary. As he confronts the traumas that led to his isolated existence, Kenneth must tend to old wounds, forge new friendships, and let go of the things he no longer needs. Winner of the 2024 Pulitzer Prize for drama, Eboni Booth's Primary Trust is a hopeful story about modern loneliness, the heroism of everyday kindness, and the joy of finding community in the most unlikely of places.

Tickets

   

Monday, February 10, 2025

This Woman's Work
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

13 local artists explore Black women's pedagogy and practice of care in CNY, featuring works by Malik Abdoulmoumine, Carlton Daniel, Charles 'Deeda' Deshields, Charles Deshields, Ebony H. Flag, Arthur Hutchinson, Courtney Mauldin-Jones, Nadiya Nacorda, Giselle Richmond, Marion Rodriguez, Rochele Royster, Evan Starling-Davis, Cheeki Williams

   

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."

   

2025 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Maxine Brackbill, Charles Lavion, Kelsey Quinn Leary, Lili Moreno Martel, Shawn McCauley, and Hazel Wagner.

   

Tuesday, February 11, 2025

Slices of Life
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Elisabeth Groat: photography from surreal to read
Joyce Backus: glass with mixed media
Eva Hunter: colorful watercolor earrings and abstract bracelets

   

This Woman's Work
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

13 local artists explore Black women's pedagogy and practice of care in CNY, featuring works by Malik Abdoulmoumine, Carlton Daniel, Charles 'Deeda' Deshields, Charles Deshields, Ebony H. Flag, Arthur Hutchinson, Courtney Mauldin-Jones, Nadiya Nacorda, Giselle Richmond, Marion Rodriguez, Rochele Royster, Evan Starling-Davis, Cheeki Williams

   

2025 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Maxine Brackbill, Charles Lavion, Kelsey Quinn Leary, Lili Moreno Martel, Shawn McCauley, and Hazel Wagner.

   

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."

   

The Earth Laughs in Flowers: Plants in the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing upon Ralph Waldo Emerson's famous line "the earth laughs in flowers" from his poem, "Hamatreya" (1846), this exhibition explores images of plants, as well as plant-based objects, in the collections of the Syracuse University Art Museum. This exhibition is co-curated by senior art history majors under the supervision of Professor Romita Ray (Art and Music Histories), in collaboration with Melissa Yuen, PhD and Kate Holohan, PhD. It is the outcome of the annual art history Senior Seminar taught in the College of Arts and Sciences.

   

Joiri Minaya: Unseeing the Tropics at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Joiri Minaya: Unseeing the Tropics at the Museum" brings together artwork by the acclaimed New York City-based Dominican artist and objects from the collection to examine how Minaya critiques Western ideas of tropicality, which are rooted in otherness and exoticism. Through these comparisons, the exhibition explores how nature, landscape, culture, and race have been historically constructed and deployed as tropes in visual culture.

   

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

   

Surrealism and Photography: "Where I Dream, It is Awake"
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition examines the role of Surrealism in modern photography, tracking the movement's love of chance, fragmentation, and uncanny dream imagery from its origins in Paris to Britain, Mexico, and Japan over the course of the 20th century. Curated by graduate students in the Department of Art & Music Histories under the direction of Sam Johnson (associate professor and director of graduate studies in Art History), the exhibition features photographs from collections of the SU Art Museum alongside Surrealist books and periodicals from the Special Collections Research Center of the Syracuse University Libraries.

   

Faculty Fellows Curate
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In Summer 2022, the Syracuse University Art Museum launched a Faculty Fellows program to support innovative curriculum development, experiential learning, and the fuller integration of the museum's collection into academic life at the University. The program focuses on object-based teaching and research, which is active and student-centered. This exhibition features artworks that the 2024-2025 Faculty Fellows, Lyndsay Gratch (Communication and Rhetorical Studies) and Elizabeth Wimer (Management), will teach with during the Spring 2025 semester.

   

Wednesday, February 12, 2025

Slices of Life
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Elisabeth Groat: photography from surreal to read
Joyce Backus: glass with mixed media
Eva Hunter: colorful watercolor earrings and abstract bracelets

   

This Woman's Work
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

13 local artists explore Black women's pedagogy and practice of care in CNY, featuring works by Malik Abdoulmoumine, Carlton Daniel, Charles 'Deeda' Deshields, Charles Deshields, Ebony H. Flag, Arthur Hutchinson, Courtney Mauldin-Jones, Nadiya Nacorda, Giselle Richmond, Marion Rodriguez, Rochele Royster, Evan Starling-Davis, Cheeki Williams

   

2025 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Maxine Brackbill, Charles Lavion, Kelsey Quinn Leary, Lili Moreno Martel, Shawn McCauley, and Hazel Wagner.

   

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."

   

Joiri Minaya: Unseeing the Tropics at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Joiri Minaya: Unseeing the Tropics at the Museum" brings together artwork by the acclaimed New York City-based Dominican artist and objects from the collection to examine how Minaya critiques Western ideas of tropicality, which are rooted in otherness and exoticism. Through these comparisons, the exhibition explores how nature, landscape, culture, and race have been historically constructed and deployed as tropes in visual culture.

   

The Earth Laughs in Flowers: Plants in the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing upon Ralph Waldo Emerson's famous line "the earth laughs in flowers" from his poem, "Hamatreya" (1846), this exhibition explores images of plants, as well as plant-based objects, in the collections of the Syracuse University Art Museum. This exhibition is co-curated by senior art history majors under the supervision of Professor Romita Ray (Art and Music Histories), in collaboration with Melissa Yuen, PhD and Kate Holohan, PhD. It is the outcome of the annual art history Senior Seminar taught in the College of Arts and Sciences.

   

Faculty Fellows Curate
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In Summer 2022, the Syracuse University Art Museum launched a Faculty Fellows program to support innovative curriculum development, experiential learning, and the fuller integration of the museum's collection into academic life at the University. The program focuses on object-based teaching and research, which is active and student-centered. This exhibition features artworks that the 2024-2025 Faculty Fellows, Lyndsay Gratch (Communication and Rhetorical Studies) and Elizabeth Wimer (Management), will teach with during the Spring 2025 semester.

   

Surrealism and Photography: "Where I Dream, It is Awake"
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition examines the role of Surrealism in modern photography, tracking the movement's love of chance, fragmentation, and uncanny dream imagery from its origins in Paris to Britain, Mexico, and Japan over the course of the 20th century. Curated by graduate students in the Department of Art & Music Histories under the direction of Sam Johnson (associate professor and director of graduate studies in Art History), the exhibition features photographs from collections of the SU Art Museum alongside Surrealist books and periodicals from the Special Collections Research Center of the Syracuse University Libraries.

   

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

   

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

   

Simply Simon: Pottery from the Collection of Michael Simon and Susan Roberts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

   

At Water's Edge: Reflections on 200 Years of the Erie Canal
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

   

CNY Artist Initiative: Courtney Rile: Moments in Between
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

   

A Place to Call Home: Photographs by Michelle Gabel & Mike Greenlar
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

"A Place to Call Home" is a collaboration between Central Current, a nonprofit newsroom covering Syracuse and Central New York, and photographers Michelle Gabel and Mike Greenlar. The exhibition captures a cross section of Syracuse's housing crisis: those struggling with housing insecurity or grappling with unsafe housing conditions. It also shares stories of hope as it highlights "A Tiny Home for Good," a small organization with a mission to end homelessness in Syracuse.

   

Noah Guthrie
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Americana singer-songwriter, Noah Guthrie's sound has been described as possessing Chris Stapleton's country/rock grit with the authenticity of Jason Isbell. The unique soulfulness in his richly textured voice and the unmistakable Southern influence in his music makes him capable of conveying emotion as only a handful of artists can in today's musical landscape. Noah's latest album, BLUE WALL, honors the Blue Ridge Mountains where he grew up and still resides. Noah is passionate about making good, honest music – music that sounds like him – music that relates – music that makes the listener feel something.

Tickets

   

A Girl I Know: The Musical
Landmark Theatre

Landmark Theatre
362 S. Salina St., Syracuse

Love, obsession, and twisted desires collide to take you on a musical journey through the mind of a femme fatale (think Elle Woods meets Sweeney Todd). Smart, sexy, and just the right amount of crazy, A Girl I Know tells the story of our stunning protagonist, Jeni, the men obsessed with her, and a beautifully twisted, fiercely protective mother.

Get ready for a night of Broadway brilliance as legendary stars Adam Pascal, Rob Evan, Haley Swindal, and Chloe Lowery take the stage, backed by a powerful 75-piece orchestra with inspired by Gershwin and a timeless style. These iconic performers will leave you breathless with their show-stopping performances, making this the perfect Valentine's Day date night.

Tickets

   

Thursday, February 13, 2025

Slices of Life
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Elisabeth Groat: photography from surreal to read
Joyce Backus: glass with mixed media
Eva Hunter: colorful watercolor earrings and abstract bracelets

   

This Woman's Work
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

13 local artists explore Black women's pedagogy and practice of care in CNY, featuring works by Malik Abdoulmoumine, Carlton Daniel, Charles 'Deeda' Deshields, Charles Deshields, Ebony H. Flag, Arthur Hutchinson, Courtney Mauldin-Jones, Nadiya Nacorda, Giselle Richmond, Marion Rodriguez, Rochele Royster, Evan Starling-Davis, Cheeki Williams

   

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."

   

2025 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Maxine Brackbill, Charles Lavion, Kelsey Quinn Leary, Lili Moreno Martel, Shawn McCauley, and Hazel Wagner.

   

The Earth Laughs in Flowers: Plants in the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing upon Ralph Waldo Emerson's famous line "the earth laughs in flowers" from his poem, "Hamatreya" (1846), this exhibition explores images of plants, as well as plant-based objects, in the collections of the Syracuse University Art Museum. This exhibition is co-curated by senior art history majors under the supervision of Professor Romita Ray (Art and Music Histories), in collaboration with Melissa Yuen, PhD and Kate Holohan, PhD. It is the outcome of the annual art history Senior Seminar taught in the College of Arts and Sciences.

   

Joiri Minaya: Unseeing the Tropics at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Joiri Minaya: Unseeing the Tropics at the Museum" brings together artwork by the acclaimed New York City-based Dominican artist and objects from the collection to examine how Minaya critiques Western ideas of tropicality, which are rooted in otherness and exoticism. Through these comparisons, the exhibition explores how nature, landscape, culture, and race have been historically constructed and deployed as tropes in visual culture.

   

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

   

Surrealism and Photography: "Where I Dream, It is Awake"
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition examines the role of Surrealism in modern photography, tracking the movement's love of chance, fragmentation, and uncanny dream imagery from its origins in Paris to Britain, Mexico, and Japan over the course of the 20th century. Curated by graduate students in the Department of Art & Music Histories under the direction of Sam Johnson (associate professor and director of graduate studies in Art History), the exhibition features photographs from collections of the SU Art Museum alongside Surrealist books and periodicals from the Special Collections Research Center of the Syracuse University Libraries.

   

Faculty Fellows Curate
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In Summer 2022, the Syracuse University Art Museum launched a Faculty Fellows program to support innovative curriculum development, experiential learning, and the fuller integration of the museum's collection into academic life at the University. The program focuses on object-based teaching and research, which is active and student-centered. This exhibition features artworks that the 2024-2025 Faculty Fellows, Lyndsay Gratch (Communication and Rhetorical Studies) and Elizabeth Wimer (Management), will teach with during the Spring 2025 semester.

   

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

   

CNY Artist Initiative: Courtney Rile: Moments in Between
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

   

At Water's Edge: Reflections on 200 Years of the Erie Canal
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

   

Simply Simon: Pottery from the Collection of Michael Simon and Susan Roberts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

   

A Place to Call Home: Photographs by Michelle Gabel & Mike Greenlar
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

"A Place to Call Home" is a collaboration between Central Current, a nonprofit newsroom covering Syracuse and Central New York, and photographers Michelle Gabel and Mike Greenlar. The exhibition captures a cross section of Syracuse's housing crisis: those struggling with housing insecurity or grappling with unsafe housing conditions. It also shares stories of hope as it highlights "A Tiny Home for Good," a small organization with a mission to end homelessness in Syracuse.

   

Low Noon
Acme Mystery Company

Spaghetti Warehouse
689 N. Clinton St., Syracuse

Welcome to Hadleyville, the most lawless place in the whole Territory of New Mexico. What makes this place so bad? Why, that would be you, pardner, and all the other low-down snakes that live here. Problem is that Statehood is coming and the Federales are looking to pull this place right out from under you. The undertaker, Ewell Dye, has called a town meeting at the Ramirez Saloon to figure out what to do. Watch your back, buckaroo. Folks are about to get even nastier.

   

Friday, February 14, 2025

Slices of Life
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Elisabeth Groat: photography from surreal to read
Joyce Backus: glass with mixed media
Eva Hunter: colorful watercolor earrings and abstract bracelets

   

This Woman's Work
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

13 local artists explore Black women's pedagogy and practice of care in CNY, featuring works by Malik Abdoulmoumine, Carlton Daniel, Charles 'Deeda' Deshields, Charles Deshields, Ebony H. Flag, Arthur Hutchinson, Courtney Mauldin-Jones, Nadiya Nacorda, Giselle Richmond, Marion Rodriguez, Rochele Royster, Evan Starling-Davis, Cheeki Williams

   

2025 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Maxine Brackbill, Charles Lavion, Kelsey Quinn Leary, Lili Moreno Martel, Shawn McCauley, and Hazel Wagner.

   

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."

   

Joiri Minaya: Unseeing the Tropics at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Joiri Minaya: Unseeing the Tropics at the Museum" brings together artwork by the acclaimed New York City-based Dominican artist and objects from the collection to examine how Minaya critiques Western ideas of tropicality, which are rooted in otherness and exoticism. Through these comparisons, the exhibition explores how nature, landscape, culture, and race have been historically constructed and deployed as tropes in visual culture.

   

The Earth Laughs in Flowers: Plants in the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing upon Ralph Waldo Emerson's famous line "the earth laughs in flowers" from his poem, "Hamatreya" (1846), this exhibition explores images of plants, as well as plant-based objects, in the collections of the Syracuse University Art Museum. This exhibition is co-curated by senior art history majors under the supervision of Professor Romita Ray (Art and Music Histories), in collaboration with Melissa Yuen, PhD and Kate Holohan, PhD. It is the outcome of the annual art history Senior Seminar taught in the College of Arts and Sciences.

   

Faculty Fellows Curate
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In Summer 2022, the Syracuse University Art Museum launched a Faculty Fellows program to support innovative curriculum development, experiential learning, and the fuller integration of the museum's collection into academic life at the University. The program focuses on object-based teaching and research, which is active and student-centered. This exhibition features artworks that the 2024-2025 Faculty Fellows, Lyndsay Gratch (Communication and Rhetorical Studies) and Elizabeth Wimer (Management), will teach with during the Spring 2025 semester.

   

Surrealism and Photography: "Where I Dream, It is Awake"
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition examines the role of Surrealism in modern photography, tracking the movement's love of chance, fragmentation, and uncanny dream imagery from its origins in Paris to Britain, Mexico, and Japan over the course of the 20th century. Curated by graduate students in the Department of Art & Music Histories under the direction of Sam Johnson (associate professor and director of graduate studies in Art History), the exhibition features photographs from collections of the SU Art Museum alongside Surrealist books and periodicals from the Special Collections Research Center of the Syracuse University Libraries.

   

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

   

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

   

CNY Artist Initiative: Courtney Rile: Moments in Between
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

   

Simply Simon: Pottery from the Collection of Michael Simon and Susan Roberts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

   

At Water's Edge: Reflections on 200 Years of the Erie Canal
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

   

A Place to Call Home: Photographs by Michelle Gabel & Mike Greenlar
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

"A Place to Call Home" is a collaboration between Central Current, a nonprofit newsroom covering Syracuse and Central New York, and photographers Michelle Gabel and Mike Greenlar. The exhibition captures a cross section of Syracuse's housing crisis: those struggling with housing insecurity or grappling with unsafe housing conditions. It also shares stories of hope as it highlights "A Tiny Home for Good," a small organization with a mission to end homelessness in Syracuse.

   

Vision of Sound
Society for New Music

Price: $30 regular, $20 seniors, free for students with ID and children
OCC Recital Hall
Onondaga Community College, Syracuse

Annual program of new music with modern dance, curated by Mark and Alaina Olivieri. Works by regional choreographers, with music by Octavio Vazquez, Andrew Martin Smith, Jaclyn Breeze, Jorge Grossman, Mark Olivieri, and Paul Leary.

   

*SOLD OUT* Ronnie Leigh: A Valentine's Affair to Remember
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Join us for a romantic and memorable evening featuring the signature sounds of the legendary Mr. Ronnie Leigh ... Mr. Smooth himself! Treat your special someone to the jazz, R&B, and soul stylings of one of the finest vocalists in CNY.

Join the waitlist

   

She Loves Me
Central New York Playhouse
Olivia Semsel, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

Considered by many to be the most charming musical ever written, She Loves Me is a warm romantic comedy with an endearing innocence and a touch of old-world elegance. The Miklós László play Parfuemerie, on which it is based, has inspired many adaptations, including the beloved film You've Got Mail starring Meg Ryan and Tom Hanks.

Set in a 1930s European perfumery, we meet shop clerk, Amalia and Georg, who, more often than not, don't see eye to eye. After both respond to a "lonely hearts advertisement" in the newspaper, they now live for the love letters that they exchange, but the identity of their admirers remains unknown. Join Amalia and Georg to discover the identity of their true loves...and all the twists and turns along the way!

Book by Joe Masteroff, music by Jerry Bock, lyrics by Sheldon Harnick

Tickets